![]() ![]() The name came from combining the nickname of MC5's Fred "Sonic" Smith with reggae artist Big Youth. Moore and Gordon formed a band, appearing under names like Male Bonding, Red Milk, and the Arcadians before settling on Sonic Youth in mid-1981. After the breakup of the Coachmen, Moore began jamming with Stanton Miranda, whose band, CKM, featured Kim Gordon. Shortly after guitarist Thurston Moore moved to New York City in early 1977, he formed the group Room Tone with his roommates they later changed their name to the Coachmen. History Formation and early history: 1977–1981 The members have since asserted that the band is finished and would not reunite. The band disbanded in 2011 following the separation and subsequent divorce of Gordon and Moore with their final live shows taking place in Brazil. The band was a pivotal influence on the alternative and indie rock movements.Īfter gaining a large underground following and critical praise through releases with SST Records in the late 1980s, the band experienced mainstream success throughout the 1990s and 2000s after signing to major label DGC in 1990 and headlining the 1995 Lollapalooza festival. Sonic Youth have been praised for having "redefined what rock guitar could do" using a wide variety of unorthodox guitar tunings while preparing guitars with objects like drum sticks and screwdrivers to alter the instruments' timbre. ![]() Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming a prominent member of the American noise rock scene. Jim O'Rourke (bass, keyboards, guitar) was also a member of the band from 1999 to 2005, and Mark Ibold (bass, guitar) was a member from 2006 to 2011. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. ![]() Despite the nasal swabbing, mask wearing and obsessive hand washing, the whole endeavor has given us a much-needed sense of normalcy.Sonic Youth was an American rock band based in New York City and formed in 1981. It has been a logistical challenge pulling this off while carefully observing restrictions and protocols. ![]() We wanted to play a proper show with our band - the one we had spent so much time preparing in January. We wanted to do more than an acoustic set from home. “Once live music was effectively canceled, Patrick and I started working on a way to make it up to ourselves, our band, and to you. “This announcement has been a long time coming,” says Moore. Tickets for “live: in the void” are on sale now via. Meanwhile, “live: in the void” will feature direction by Tennis’ longtime visual collaborator Luca Venter, and find the duo joined on stage by their band for the first time since quarantine began. This song is really just me carrying a torch for her.” I feel a strong pull toward women whose creative contributions were cut short by their untimely deaths - Laura Nyro, Judee Sill, Trish Keenan, and of course Karen Carpenter. The result is something that doesn’t really sound like Tennis or the Carpenters, which we really liked. This led us to take a lot of liberties, including writing a bridge that doesn’t exist in the original. Our goal with ‘Superstar’ was to re-cast her voice in the context of a different band in a different era. “Her voice is so distinctive, I can always imagine her interpretation of a song regardless of genre. “Karen Carpenter is a major influence on my writing,” says Moore. It follows this past February’s remarkable fifth studio album Swimmer, and sets a tone for Tennis’ “live: in the void” livestream performance this Saturday (October 17). Tennis’ “Superstar” takes its cue from The Carpenters’ version, much like the beloved Sonic Youth cover from ’94, and was produced by the duo’s Patrick Riley and Alaina Moore in their hometown of Denver. So when we came across Tennis‘ new interpretation of Delaney & Bonnie’s classic single “Superstar,” made famous by The Carpenters in the early-’70s, it seemed like a perfect match. Some covers are more obvious than others, and some just feel like destiny. ![]()
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